Shakespearean Genealogies of Power proposes a new view on Shakespeare?s involvement with the legal sphere: as a visible space between the spheres of politics and law and well able to negotiate legal and political, even constitutional concerns, Shakespeare?s theatre opened up a new perspective on normativity. His plays reflect, even create,”history”� in a new sense on the premises of the older conceptions of historical and legal exemplarity: examples, cases, and instances are to be reflected rather than treated as straightforwardly didactic or salvific. Thus, what comes to be recognized, reflected and acknowledged has a disowning, alienating effect, whose enduring aftermath rather than its theatrical immediacy counts and remains effective. In Shakespeare, the law gets hold of its normativity as the problematic efficacy of unsolved? or rarely ever completely solved? problems: on the stage of the theatre, the law has to cope with a mortgage of history rather than with its own success story. The exemplary interplay of critical cultural and legal theory in the twentieth-century? between Carl Schmitt and Hans Kelsen, Walter Benjamin and Ernst Kantorowicz, Hans Blumenberg and Giorgio Agamben, Robert Cover and Niklas Luhmann? found in Shakespeare?s plays its speculative instruments.Additional ISBNs9780415593458, 9780203840283, 9786612929830, 9781282929838, 9781136890468, 9781136890512Shakespearean Genealogies of Power: A Whispering of Nothing in Hamlet, Richard II, Julius Caesar, Macbeth, The Merchant of Venice, and The Winter?s Tale 1st Edition is written by Anselm Haverkamp and published by Routledge. ISBNs for Shakespearean Genealogies of Power are 9781136890505, 1136890505 and the print ISBNs are 9780415593441, 0415593441. Additional ISBNs include 9780415593458, 9780203840283, 9786612929830, 9781282929838, 9781136890468, 9781136890512.
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